On a night honoring Nancy Sinatra, TCM showed her 1967 TV special Movin' With Nancy. I have a vague memory of seeing this when it aired (I would have been 11 years old). Mostly I recall her colorful mod outfits and feeling disappointed that she didn’t sing "These Boots Are Made for Walkin'" which had been a big hit the year before. When I flopped down on the couch the other evening for a re-viewing, I expected a delightful trip down psychedelic memory lane, but very quickly I found myself sitting up and taking notes on a rather strange brew.
First, it's not a traditional 60s variety show, on a stage before a live audience; it's a collection of short films that feel very much like 80s music videos. The first features Nancy driving around, singing about needing to get out of town, setting up a sort of theme for the show, tied to its title, although this conceit is jettisoned whenever it doesn't fit. In the second, she escapes into the sky in a big balloon, singing "Up, Up and Away" while a small cadre of dancers in brightly-colored clothes leap in the air. There are two duets with her producer and musical partner Lee Hazlewood: the humorous break-up song "Jackson" and the surreal "Some Velvet Morning," perhaps the strangest pop song to make the Billboard Top 40.
Sinatra's best solo bit comes with "This Town," sung as she walks around mannequins posed in an urban waterfront area. This leads into a cute bit with Dean Martin as he plays her "fairy god-uncle" who uses his cane as a wand to make an unhappy Nancy happier as they duet on "Things." Then a somewhat creepy vibe enters as Nancy sings "Wait Till You See Him" as she stares longingly at bigger-than-life photos of her famous father Frank. Following is her father singing "Younger than Springtime" at a recording session; Nancy enters, watches him finish, then stands with him in an awkward embrace as they listen to the playback. She has a nice scene posing for a fashion shoot with Sammy Davis Jr. as a rather fey photographer and she closes with "Who Will Buy?," a beautifully wistful song from the musical Oliver which turns into a frenetic dance number led by David Winters (A-Rab in West Side Story).
Random observations: First, Nancy Sinatra is not a terribly expressive singer or actor. She’s not exactly wooden, but she frequently looks distracted, or like she's thinking about being more expressive but deciding against it. Her voice is serviceable but not great; she's fine in her duets, but less impressive in her softer songs, like her song in honor of her father. She looks good in her collection of mod 60s styles and she works well with Dean Martin and Sammy Davis Jr. The concept of filmed outdoor pieces really does feel like a precursor to the later music video genre, and director Jack Haley Jr. deservedly won an Emmy for the show.
Though several of the songs she performs here were radio hits, it's still disappointing that she doesn't do "Boots," especially as it seems to be teased frequently with many close-up shots of Sinatra's boots as she walks. Her duet of "Things" with Dean Martin actually hit #1 in Norway. The TCM showing included the original ads for Royal Crown Cola, being pushed as the "mad, mad cola with the mad, mad taste." Nancy sings one of the ads, as do Dino, Desi & Billy (a teen pop group featuring Dean Martin's son) and a handsome Australian singer named Robie Porter. As an example of the kind of TV special that went the way of the dinosaur, it's an interesting and occasionally enjoyable experience. But it's difficult to get past the discomfort of the daddy stuff (Frank is referred to as "Daddy" in the main credits).
