Monday, June 4, 2012

Overkill

I loved comic books and science fiction in my youth, but in my middle age, I am generally not a fan of recent movies of these genres. 2001: A Space Odyssey is sci-fi's cinematic zenith and will never be bested. Comic book movies, which used to be low-budget serials and B-films, now have huge budgets so they can be fully realized on the big screen, but I find them mostly to be a lot of sound and fury over very little--oddly, perhaps, my favorite superhero films are the "dumb" ones, like Green Lantern and the Fantastic Four movies, which concentrate more on cosmic bad-guy bashing and less on personal angst and darkness. Having said that, it comes as no surprise that I'm not a fan of two big, recent examples of these genres, The Avengers and John Carter.

The most interesting thing about the Avengers movie is that the build-up to it was skillfully orchestrated, with entire movies featuring Captain America, Iron Man, and Thor seeming to exist primarily as feature-length appetizers for this main course. In a nutshell, a group of superheroes who don't exactly play well together are asked to band together to battle the evil Norse god Loki (introduced in last year's Thor movie) when he tries to take over the world. Generally, personality problems are downplayed here in favor of action.  But the action scenes are all terribly long and exhausting and incoherent in the way that most comic book movie action scenes are. At almost 2 1/2 hours, it could easily be cut to about 100 minutes, most of the loss coming from the battle scenes--especially the scenes in the middle that feature the heroes fighting among themselves, which really bog down the movie. I enjoyed some of the acting. Robert Downey Jr. continues to impress with his light touch as Iron Man/Tony Stark, and Jeremy Renner (pictured below) is nicely subdued as the archer Hawkeye. I also liked Scarlett Johansson, who I usually dislike, as Black Widow. But despite everything being done in supersized doses of action (and an unimpressive use of 3D), this one won't lose much at home on DVD.

The Avengers, distributed by Disney, has become a blockbuster, but Disney's other recent big action film, John Carter, bombed at the box office, at least relative to its cost.  A lot of people went to see it, but word of mouth was not good and there was not the repeat business it would have needed to make back its $250 million dollar budget. I was actually looking forward to this since in my youth, I was a fan of the John Carter of Mars pulp sci-fi books by Edgar Rice Burroughs. Sadly, this film, the first live-action work from Pixar director Andrew Stanton, appears to have killed off the franchise already.  A low-budget, direct-to-video version appeared a couple of years ago, and though it's cheap and poorly acted (see my review here), it's about as enjoyable as this bloated, convoluted film.

John Carter, a Civil War veteran, is wounded on Earth, stumbles into a cave, and finds himself inexplicably transported to Mars (called Barsoom by its inhabitants) where he winds up in the middle of a Barsoomian civil war between different races of creatures. He falls in love with a princess (the original novel, the first of several, is called A Princess of Mars) and helps her side in the planet-wide battle. To do Carter right, spectacular special effects are called for (Carter can leap huge distances, one race of beings is green and has 4 arms) and generally, this movie gets the look and feel of Barsoom right.  Below is one of the best effects, the lobster-like airship.

The convoluted pulp plot isn't handled very well, but that alone is not fatal--as long as we know the good guys from the bad, we can muddle through. But I failed to feel engaged with any character (except maybe for the giant cute alien dog that bounds after Carter throughout) and again, action scene overkill dully hammers out any enthusiasm I had worked up for the movie. Here, acting is not much of a  consolation: Taylor Kitsch is terrible and isn't muscled enough for the part, and the few actors who are good (Ciaran Hinds, James Purefoy, and Dominic West) don't get much screen time. Lynn Collins as the Princess Dejah Thoris is OK but she's not enough to make this movie interesting. Potential for a good series is wasted due to a bloated budget, unclear narrative, and an uninspiring lead actor.

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